Critères de sélection
Le processus de sélection pour Art in la Doua 2025 repose sur deux critères principaux :
1. Qualité artistique
Le jury évaluera l’impact visuel et émotionnel de chaque œuvre. Cela inclut l’utilisation des couleurs, la composition, la créativité et la manière dont l’œuvre illustre l’intersection entre la science et l’art. L’originalité artistique et la présentation esthétique joueront également un rôle déterminant dans le processus d’évaluation.
2. Clarté et accessibilité des descriptions
Chaque soumission doit être accompagnée d’une description scientifique et d’une description artistique. Le jury examinera la capacité des descriptions à expliquer les aspects scientifiques et créatifs de manière compréhensible pour un public non spécialisé. Des descriptions claires et engageantes, qui facilitent la compréhension des concepts scientifiques complexes à travers une expression artistique, seront particulièrement valorisées.
L’évaluation ne portera pas sur la complexité ou le mérite scientifique de la recherche, mais sur la manière dont celle-ci est traduite en œuvre artistique et communiquée de manière accessible.
Étapes du processus de sélection
1. Validation technique :
Toutes les soumissions seront examinées pour vérifier leur conformité aux critères techniques : format des fichiers, dimensions, respect des droits d’auteur et des consignes données. Les œuvres ne remplissant pas ces exigences ne seront pas retenues.
2. Évaluation par le jury :
Les œuvres seront ensuite examinées par un jury pluridisciplinaire, composé de scientifiques et d’artistes. Ce jury sélectionnera les contributions les plus marquantes sur le plan esthétique et les mieux expliquées. Les œuvres primées se distingueront par leur impact visuel et leur capacité à rendre la science accessible et engageante.
Jury
Le jury de Art in la Doua 2025 réunit des experts et expertes issus des mondes scientifique et artistique. Leur mission est de garantir une sélection qui valorise autant l’aspect esthétique que la communication scientifique, afin de proposer une exposition captivante et inspirante.
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Mariya El is a multidisciplinary artist and art director at network agency Cheil Worldwide Kazakhstan. In 2016, she started her artistic career and joined the promo collective ZVUK as a resident. She represented Kazakhstan in local and international art competitions, such as Re:Practice Showcase 2023 and Eurobest Young Creatives Competitions '18 and '19. She also won a Yong Lions Kazakhstan '16 and '20 in the categories "Poster" and "Digital Campaigns" and gold and 3 shortlists at the international courses on creative conceptualization MADS'18. From 2018 to 2022, she was invited as art director for "The Future of Universities Thoughtbook" of UIIN (University Industry Innovation Network). |
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Veneta Gerganova is part of the scientific art environment since 2017, when she founded Figure1.A., a non-profit organization specializing in curating and producing of scientific art exhibitions in Switzerland. Currently the organization numbers 18 members and has produced more than 20 exhibitions in the last 8 years. Veneta's background is in biological sciences, with a PhD in bacterial genetics and a postdoc in molecular biology. She specializes in scientific communications, running her own company Gerganova Science Consulting. |
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Antoine Cazes is the director of the physics department in the Faculty of Science at the Université Claude Bernard Lyon 1. He began his career as a scientist with a doctorate in neutrino physics at the Laboratoire de l'Accélérateur Linéaire in Orsay, before continuing on the same theme for three and a half years on post-doctoral contracts in Italy, where he was able to do his ‘grand tour’ and learn about art. He was then recruited to Claude Bernard University in 2008. He is very interested in all aspects of scientific mediation, and took up a residency at the Vaulx en Vélin planetarium with artist Sophie Pouille as part of the art and science incubator in 2015. |
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Antoine Bérut is maître de conférences at University Claude Bernard Lyon 1 since 2018. He started his scientific carreer with a PhD in stochastic thermodynamics at the Laboratoire de Physique de l'ENS de Lyon between 2012 and 2015, followed by two post-doc positions: one on plant biomechanics in IUSTI (Marseille), and one on foams stability in IPR (Rennes). Now, he conducts research on soft matter at the Institut Lumière Matière (ILM), and he's teaches material science at the Mechanical Engineering Departement of the IUT Lyon 1. During the last 10 years, he has been involved in several popular science projects, such as "Minecraft Explorer" - a virtual scientific exploration mission, made of researchers, mediators, and artists - in collaboration with the Modern Art Museum of Lyon (macLYON). |
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Angélique Virgone is a scientist, artist, and communicator based in Lyon. She works at a major cancer research center and is also actively involved in cultural initiatives in her community. With a PhD in neuroscience, Angélique authored the popular science book Life and Culture, a Parallel World, which combines scientific insights with artistic illustrations to invite readers into a visually rich exploration of life sciences. Her artistic practice focuses on photography, capturing the beauty of her surroundings. Outside her professional work, she serves as Assistant for Cultural Affairs, where she is dedicated to fostering connections between science and art—her true passion being the creation of meaningful exchanges across disciplines. |
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Anne Pillonnet is a professor at Lyon 1 University, and conducts research at the Institut Lumière Matière (CNRS/Lyon 1 University) on the optics of materials. Her work develops relationships between the university and the arts, in research projects, educational research-creation programs and mediation, in collaboration with contemporary artists and museums. With her team, she invented and published an artistic protocol for a structural blue color obtained without pigments, such as sky blue. Her exploration of the concepts of light diffusion and visual appearance continues to address scientific, historical and ecological issues. She co-founded the interdisciplinary macSUP program in Lyon (INSA Lyon, ENS Lyon, ENSBA Lyon, Université Lyon1, Lyon2, Lyon3 / museum of contemporary art macLYON) to experience research-creation processes through protocols and methods that include chance, freedom and different fields of knowledge. In addition, she was a member of the European project on new advanced practices in research-creation (EFAP), and was director of the Open University of Lyon 1 until 2021, to share advances in science and health research to the general public.
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Ludivine Boutin is a librarian at INSA Lyon, she specializes in scientific and cultural mediation, organizing events that connect science and culture within the library setting. She is dedicated to making both fields accessible to a wider audience and actively engages with students through training in documentary research. Her role focuses on fostering an understanding of the scientific method and encouraging students to communicate their work effectively. Passionate about making knowledge a public asset, she views both science and culture as shared resources that should enrich the community.
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Self-taught, Eric Le Roux has been the photographer at Claude Bernard Lyon 1 University since 2002. He is particularly interested in humanist photography and reportage, and is particularly passionate about the people he works with. He is responsible for promoting teaching and research within higher education.
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